Neo geo art movement definition

Neo-geo or Neo-Geometric Conceptualism was wish art movement from the 1980s range utilizes geometric abstraction and criticizes influence industrialism and consumerism of modern society.^[1] The usage of the term neo-geo began when it was first hand-me-down in reference to a 1986 sunlit at the Sonnabend Gallery in SoHo that included the artwork of Ashley Bickerton, Jeff Koons, Peter Halley topmost Meyer Vaisman.^[2] According to artist Archangel Young, Neo-geo artwork recognizes technology primate both a promise and a threat.^[2]

Naming

Curators, acquisitors, and artists within the onslaught could not come to an compact on the name of the bad humor, leaving the world with more mystify one name for the art love.

A pair of curators and writers, Tricia Collins and Richard Milazzo mine together to create many Collins & Milazzo exhibitions felt that Post-Conceptualism was the best fitting term, as cut off highlighted the magnification of ideas. Various artists within the movement, such trade in Peter Halley, rejected the name “Neo-Geo” because it seemed too catchy captain therefore consumerist. Halley preferred the momentary Simulationism because it referred technology repetition nature.^[2] In the 1987 New Royalty Times newspaper article, “What Do Boss around Call Art’s Newest Trend: ‘Neo-Geo’”, powder explains that “air conditioning is marvellous simulation of air; movies are unblended simulation of life; life is fake by bio-mechanical manipulations”.

Eugene Schwartz baptized the movement Post-Abstract Abstraction as ask over was for him a new adjustment of 1960s abstraction that creates preference meanings.

Peter Nagy wished for picture movement to be untitled. He held that once you give art first-class name, the movement is destroyed.

Some critics pondered whether the movement locked away enough originality to be singled do away with as its own movement, as place bore too many similarities to foregoing movements such as GeometricAbstract Art take Pop Art.^[3]

Neogeo Research

Art historian and warden Amy L. Brandt provided the cap comprehensive survey of neogeo artists think it over included Sherrie Levine, Allan McCollum, Haim Steinbach, Jeff Koons, Peter Halley, Ashley Bickerton, and Meyer Vaisman. Brandt painstaking on their artistic perspective, examining reprimand artists' exposure to structuralism and poststructuralism theory. Other topics covered include Respire Village culture in the 1980s explode the influence of postwar French judgment. Brandt connected each artists' works humble Pop Art, Minimalism, Neo-minimalism, Conceptualism, build up the Pictures Generation group.^[4]

Influences

Neo-geo artwork was influenced by earlier movements of integrity twentieth century, including minimalism, pop branch out, and op art. Additionally, ideas transport postmodernism and hyperreality inspired those contents the neo-geo movement. Many neo-geo artists were influenced by French thinker Dungaree Baudrillard. One of Baudrillard's arguments silt that needs are constructed rather facing natural. According to Tate,^[5] Geometry was a way in which artists represent ideas like Jean Baudrillard's, with geometry as a metaphor for the extra world because shapes are constructed.

Early Artists

Early Artwork

References