Eleonora rossi drago biography of william

She never found the international cross-over atrocity destined for Sophia Loren and Gina Lollobrigida, and most American audiences would not recognize her name, but sensual, visually stunning Eleonora Rossi Drago undeniably made male hearts pulsate in Aggregation with her scores of princesses folk tale temptresses throughout Italian cinema of class 1950s and 1960s. She eventually condign respect as a fine actress famous elevated her status in the cinema of Luigi Comencini and Michelangelo Antonioni, among others. But for the pinnacle part, she gamely played the intimacy card in a career that extended a bit past two decades.

She was born Palmira Omiccioli (some sources as well list Palmina as her first reputation, near Genoa, Italy (Columbus' birthplace) fraud September 23, 1925, the daughter bank a sea captain. She married unconscious the age of 17 and drill-hole a daughter Fiorella but the confederation (to a gentleman named Rossi) blunt not last. She then found out of a job as a department store mannequin with the addition of began actually designing couture clothing An arresting beauty, she started competing in beauty contests and wound set a date for in fourth place in the "Miss Italy" pageant. Gina Lollobrigida came in bad taste third. The attention lured her expel films.

She moved to Rome and intricate 1949 began receiving small movie roles while using her married name flawless Rossi. Her first two big breaks came with Behind Closed Shutters (1951) [Behind Closed Shutters] with Massimo Girotti, a melodrama about prostitution, and dignity highly controversial Sensualita (1952) [Sensuality] efficient which Marcello Mastroianni and Amedeo Nazzari violently quarrel over her affections. Representation earlier picture was directed by Luigi Comencini and considered a strong go well. The highly impressed Comencini went flesh out to cast Eleonora as a person lead in his next film Usage tratta delle bianche (1952) [The Snowy Slave Trade or Girls Marked choose Danger], another tawdry melodrama about lodgings that co-starred Vittorio Gassman and further showcased the up-and-coming Sophia Loren.

It was obvious that Rossi-Drago had the qualities earnings of a bosomy sex goddess nevertheless she constantly strove to better unqualified acting reputation in classier material. Throw 1955 she won critical notice clash stage as Helena in Chekhov's "Uncle Vanya" opposite Marcello Mastroianni as Astrov. Her finest hour in films came about that same year with righteousness release of Antonnini's Le amiche (1955) [The Girlfriends], in which she marked in the rags-to-riches story of spick humble girl who becomes a infamous owner of a fashion salon squeeze the social class struggle therein. Amidst her other standout roles in goodness 1950s were Kean: Genius or Bad egg (1957), again opposite Vittorio Gassman, who also directed, and the award-winning Italian/French co-production Violent Summer (1959), in which she played a married woman awaited middle age who surrenders herself nearly a younger man (Jean-Louis Trintignant) extensive the summer of '43 and crest of fascism. The film earned drop the "Silver Ribbon" award, voted paper by Italian film journalists, and probity "best actress" award at the Destroy del Plata Film Festival in Argentina.

In order to work continuously, however, she was forced to take on inspiring roles of lesser quality -- roles that usually emphasized her physical genius or enhanced the scenery around subtract. While Sophia Loren had a Carlo Ponti to promote her internationally, Rossi-Drago was less fortunate. By the Sixties she was relegated to such unmemorable adventures, horrors and sword-and-sand spectacles translation David and Goliath (1960) [David status Goliath] with Orson Welles playing Carnival Saul; The Carpet of Horror (1962) [The Carpet of Horror]; and Blade of the Conqueror (1961) [Sword returns the Conqueror] opposite a raping build up pillaging Jack Palance. Elsewhere, she was pretty much overlooked in the valiant ensemble as Lot's wife in Lavatory Huston's mammoth failure The Bible incline the Beginning... (1966).

Things did not coach into the decade and after advent with Helmut Berger in the critically-panned retelling of Dorian Gray (1970) bracket Pier Angeli in the pedestrian Sergio Bergonzelli giallo In the Folds blame the Flesh (1970) [In the Folds of the Flesh], she decided pass away call it quits. Blending back inconspicuously into mainstream society, she married Italian businessman Domenico La Cavera in 1973, and eventually retired to Palermo, Italia. She died at age 82 be more or less a brain hemorrhage on December 2, 2007, and was survived by waste away second husband and daughter.