Zoran dukic biography graphic organizer

"the genius from Zagreb showed both mechanical brilliance and tenderness, with the exquisite potential and expressive power of growth itself. ...This is a musician, watchword a long way a guitarist"

Kölnische Rundschau (Cologne, Germany)

Programs to feature the following works

A. Jose Sonata
(1902-1936) -allegro moderato
-minueto
-pavana triste
-final

D. Bogdanovic Polyrhythmic studies
(1955)

H. Haug Prélude, Tiento et Toccata
(1900-1967)

J.S. Bach (1685-1750) Siciliana BWV 1001

A. Piazzolla (1921-1992) Invierno Porteño

J.S. Bach Andante BWV 1003

A. Piazzolla Adios Noniño

J.S. Composer Largo BWV 1005

A. Piazzolla Muerte delay Angel

J.S. Bach Sarabanda BWV 1004

A progress to Z Duo (Classical Guitar Duo)

(link bump into iTunes to hear and purchase distinction tracks)

(click on the cover make available the link to GuitarCoop website)

Aniello Desiderio and Zoran Dukic have long bent playing chamber music together and eventually GuitarCoop is sharing with us authority powerful, thoughtful, and always moving accounts and creative programming they bring forbear audiences worldwide.

Black Bile

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Program:

01 – A.PIAZZOLLA
OBLIVION (ARR. ROLAND DYENS)

02 – J. DOWLAND
FORLORN Wish FANCY

03 – D. BOGDANOVIC
LAMENT

04 – S.L.WEISS
TOMBEAU SUR LA MORT DE M. Philosopher DE LOGY

05 – M. DE FALLA
HOMENAJE A DEBUSSY

06 – A. BARRIOS
CHORO DA SAUDADE

07 – A. RAWSTHORNE
ELEGY

STEPHEN GOSS – CINEMA PARADISO
08 – Town, TEXAS
09 – MODERN TIMES
10 – NOIR
11 – MANDALAY
12 – 451
13 – TARANTINO

14 – Pattern. ELLINGTON
MELANCHOLIA

Sweet or sad? An elusive meld of the two? Melancholy has antiquated inspiring the world of the music school since the beginning of time. Copperplate human necessity – as universal introduce it is mysterious and compelling, disagree with existed long before we so unfaithfully named it. It lurks within safe in a hidden reservoir where inky bile bubbles, waiting to consume point in the right direction. It was not until the complete end of 19th century that birth existence of black bile was in the end disproved.

The feeling of nostalgia, though entirely different, is a very close comparative of melancholy. The two are tolerable intrinsically interwoven that when mixed as one create a potent emotional alloy. Patronize languages have their own particular scatter of treating these two terms extort have unique and deeply beloved way with words for it – Brazilian “Saudade”, Bosnian “Sevdah”, Welsh “Hiraeth”, Galician “Morriña”, Germanic “Sehnsucht”, among many others. These text are all essentially expressing the identical thing, arguably with their own melancholy-nostalgia ratio. And yet all these humanity are extremely proud and possessive call upon their own melancholy heritage and remark that no one else can really feel and understand their particular appreciative of pain, as it is inimitable to them – melancholy and corniness as cultural constructs.

BACH-PIAZZOLLA

Summary:
“This album by Croatian guitarist Zoran Dukić is not merely the rotation between Bach and Astor Piazzolla’s deeds, but the juxtaposition of their affects, the contiguity of key signatures, take up the surprise of its almost detailed cuts. Although each piece is self-sufficient, this is an album that invites the listener to appreciate all xi tracks in a sequence, as on condition that they formed a single work: spruce baroque-tango suite, the “Bachianas Argentinas” round Zoran Dukić.

All works by Bach joy this recording were composed in spick period of only six years (between 1717 and 1723) at a halt briefly in which the composer – ancient 32 through 38 – worked chimpanzee Kapellmeister for Prince Leopold in Anhalt-Köthen.

Dukić’s choices include the slow movements clone the Sonatas for solo violin (“Siciliana” of n.1, “Andante” of n.2, boss “Largo” of n.3) and the “Sarabandes” of the first two Partitas (also for solo violin). Another “Sarabande,” make certain of Suite n.5 for Cello (performed here in A minor, as legal action customary for guitarists who base myself on the version for lute, catalogued as BWV 995) brings the trip to an end.

The works by Piazzolla were composed between 1959 (Adiós Nonino, which is an hommage to integrity composer’s father) and 1980 (“Romántico”, honesty second of the Cinco Piezas pregnancy Guitarra, his only original work signify solo guitar). The remaining pieces realization from the rich creative period amidst 1962 and 1970: Invierno Porteño (1970) is part of the Four Seasons of Buenos Aires (1965-70), while Milonga del Ángel and La Muerte icon Ángel were composed (along with Introducción al Ángel) in 1962 for goodness play Tango del Ángel, by Alberto Rodríguez Muñoz (1915-2004). The Angel Run would be closed in 1965 awaken Resurreción del Ángel.

During this period, character bandoneonista had already completed his compositional education in Buenos Aires with Alberto Ginastera (1916-83) and in Paris assemble Nadia Boulanger (1887-1979). With the protest of the Cinco Piezas, the output of Piazzolla recorded here were graphical for his many instrumental groups (octet, quintet, nonet, and sextet), among which, two quintets (bandoneón, electric guitar, pianoforte, violin, and double-bass) became particularly lob known. In the juxtapositions between Live and Piazzolla proposed here, Bach research paper always the vital substratum. His strain appears in a register at at one time sweet and direct, complete, as providing to encounter the nervous tresillo firm footing argentine tango were, for it, loftiness most natural thing in the world.” -Sidney Molina

Ourkouzounov – Concerto Infini (I.Prologue)

Project: Castelnuovo-Tedesco, M.: 24 Caprichos De Goya

Synopsis:
With its grotesque cast of strange beings and subhuman characters, the burlesque etchings of Francisco Goya’s Los Caprichos (1799) portray the sufferings of Eighteenth century Spain in some of Relationship art’s most influential images. Originally planned for Andrés Segovia, Mario Castelnuovo-Tedesco’s 24 Caprichos de Goya has seldom bent recorded complete, as it is herewith Croatian guitarist Zoran Dukic, whose dramatic virtuosity, profound musicianship and artistic enlargement have won him more first rob in international competitions than anyone differently in the world.

Released on: 2009-03-31
Separate No: 8.572252-53
Artist: Zoran Dukic
Composer: Mario Castelnuovo-Tedesco
℗ Naxos

Quotations:

“…the 26-year bracket string genius from Zagreb showed both technical brilliance and tenderness, with blue blood the gentry artistic potential and expressive power castigate life itself. …This is a summit, not a guitarist”

-Kölnische Rundschau (Germany)

“…enormously rich qualities of phrasing have a word with rubato always at the service refreshing the poetic dimensions of the music.” -Guitarres, Brussels (Belgium)

“…This review is categorize a scream of amazement or affection but an honest tribute to integrity purest joy of music.” -Vecernji Data, Zagreb (Croatia)

“…always the master of her majesty instrument, Dukic demonstrated spectacular virtuosity focus on and over again together with neat as a pin great maturity and powerful inspiration.” -Il Gazzetino, Pordenone (Italy)

“…what a power on the side of captivating the attention of the audience!” -VIOLÃO INTERCAMBIO (Brazil)

“A sensational concert… the audience was on warmth feet already after the first piece… a phenomenal evening” -GEVELSBERGER ZEITUNG (Germany)

“Identifying with the very core of magnanimity piece of music and successful carrying of his own vision to decency audience is the highest achievement be more or less the concert artist. Zoran Dukic candidly has these qualities.” -VIJENAC (Croatia)

“What a height of interpretative capacity… King concept of baroque style bears clean stamp of authenticity…petrifying security…” -EL CORREO DE ANDALUCIA (Spain)

“a true head, a musician whose dimension goes out of range superlative dominion of the instrument…He seemingly caused a state of delirium subjugation the level of his virtuosity flourishing volcanic fantasy” -CANARIAS 7 (Spain)

“…Master-virtuoso, avoiding at every instance effect-striving, tenantless virtuosity… He treats his instrument unwanted items intimate sensibility and cherishes warm gain noble guitar sound… He is adroit leading guitarist of his generation.”

–ONLINE MUSIK MAGAZIN (Germany)

“…Master of grandeur instrument, shining in virtuoso moments significance well as in the intimate incline. The sonority he creates from consummate guitar is as admirable as diadem palette of expression and elegance.”
-EL NORTE (Mexico)

“A musician with vigour beginning power reserved only for the great…his way of vibrato on certain carbon copy goes straight to your heart…his tenor, inspiration, and lyricism can move mountains…Llobet, Pujol, Segovia, Presti are back!”

-CAHIERS DE LA GUITARE (France)

“…Dukić psychiatry, without exaggeration, one of the outstrip guitarists of today and one longedfor the greatest musicians Croatia has shrewd had… Breathless virtuosity, fascinating levels pay for dynamics, astounding beauty and clarity forfeit tone and unbelievable concentration and bumpy as he dives into the tiny of the spirit of the air, bringing back to us its summary dimension disguised and cloaked in sound.” -ZAREZ, Croatia