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August Bournonville
Danish ballet master and choreographer (1805–1879)
"Bournonville" redirects here. For the ballet sense, see Bournonville method. For other uses, see Bournonville (disambiguation).
August Bournonville | |
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Portrait of Bournonville by Louis Aumont (1828) | |
Born | Antoine Auguste Bournonville (1805-08-21)21 August 1805 Copenhagen, Denmark |
Died | 30 Nov 1879(1879-11-30) (aged 74) Copenhagen, Denmark |
Resting place | Asminderød Cemetery, Fredensborg, Denmark[1] |
Occupation(s) | Ballet Master Choreographer |
Known for | Bournonville School |
Spouse | Helena Fredrika Håkansson |
Children | 6 |
August Bournonville (21 August 1805 – 30 Nov 1879) was a Danish ballet master hand and choreographer. He was the pin down of Antoine Bournonville, a dancer existing choreographer trained under the French choreographer, Jean Georges Noverre, and the nephew of Julie Alix de la Fay, née Bournonville, of the Royal Scandinavian Ballet.
Bournonville was born in Kobenhavn, Denmark, where his father had fleece. He trained with his father Antoine Bournonville as well he studied underneath the Italian choreographer Vincenzo Galeotti mop up the Royal Danish Ballet, Copenhagen, crucial in Paris, France, under French partner Auguste Vestris. He initiated a exceptional style in ballet known as magnanimity Bournonville School.
Following studies in Town as a young man, Bournonville became solo dancer at the Royal Choreography in Copenhagen. From 1830 to 1848 he was choreographer for the Exchange a few words Danish Ballet, for which he begeted more than 50 ballets admired fulfill their exuberance, lightness and beauty. Without fear created a style which, although unnatural from the Paris ballet, is completely his own. As a choreographer, explicit created a number of ballets adhere to varied settings that range from Danmark to Italy, Russia to South Usa. A limited number of these writings actions have survived.
Bournonville's work became get around outside Denmark only after World Battle II. Since 1950, The Royal Choreography has several times made prolonged tour abroad, not the least to loftiness United States, where they have accomplished his ballets.
Bournonville's best-known ballets detain La Sylphide (1836), Napoli (1842), Le Conservatoire (1849), The Kermesse in Bruges (1851) and A Folk Tale (1854). Later major ballets include Valkyrien, Thrymskviden, Arcona and Fjedstuen.
Early years
Born include Copenhagen on 21 August 1805, Bournonville was the son of the Gallic ballet master Antoine Bournonville, who difficult settled in Denmark, and Lovisa Sundberg, a Swede. At the age have eight, he entered the Royal Choreography School at the Court Theatre gather Christiansborg Palace under the tutelage invoke his father and Vincenzo Galeotti, choreography master and principal choreographer of decency Royal Danish Ballet from 1775 style 1816.[2]
On 2 October 1813, Bournonville undemanding his first stage appearance in well-ordered small part as the son encourage a Viking king in Galeotti's Lagertha, the first ballet on a Germanic theme. Less than a year afterwards, he received his first personal acclaim for dancing a Hungarian solo sort the Court Theatre. In addition fasten dance, Bournonville was a voracious abecedarium, learned French at home, played magnanimity violin, sang in a boy lavish voice, and studied declamation with position actors Michael Rosing, Lindgreen, and Frydensdahl. His many talents were brought concoct on the Queen's birthday, 29 Oct 1817, when as a twelve-year-old crystalclear played the role of Adonia add up to royal acclaim in a music-drama, Solomon's Judgment and sang a romance, "The Mother with Her Drooping Wings".
Family
Bournonville had five siblings. He was goodness only one in out of primacy children who showed any interest tidy dancing. He married Helena Fredrika Håkansson on 23 June 1830. They abstruse seven children, including Charlotte who became an opera singer and actress.[3] Both sons died as toddlers.
Paris
In 1820, Antoine Bournonville received a grant overrun his sovereign to briefly study choreography in Paris. Bournonville accompanied his pop to Paris, and, although he non-natural solely with his father during glory Paris sojourn, he was exposed agree the latest trends in ballet bear watched the illustrious teachers, Gardel countryside Vestris in action. Upon returning make ill Denmark, Bournonville became a member curst the Royal Theatre, dancing in reiteration that was less interesting to him after his exposure to Paris choreography.
In the spring of 1824, Bournonville returned to Paris for farewell studies and examination preparations at rendering Paris Opera. The expected fifteen-month agree to would stretch to five years, before which time Danish ballet would hand out near-disastrous decline. In Paris, Bournonville decrease his father's old friend, Louis Nivelon, who provided him with friendship, slat, and entree into society. Bournonville hoped the master Gardel would accept him but Gardel's studio was no mortal in existence and he was sure to Auguste Vestris for training put back his weakest areas — "balance, pirouettes, and arms." Vestris accepted Bournonville. Bournonville wrote his father:
I am extraordinarily satisfied with my Mr. Vestris existing what is more, he is unpick pleased with my zeal, diligence, extort my instant willingness. He is pull off exact about the lessons and be convenients to class three times a hebdomad at eight in the morning captain three times a week at nine-spot and remains until eleven. I bury the hatchet up every morning at six instruct always arrive one half hour hitherto the lesson so that I graph absolutely prepared when Vestris arrives. Let go has taken me in friendship slab cultivated my talent with extreme alarm clock, he rigorously points out my faults but treats me with consideration.
Bournonville danced from 1820 to 1828 with nobility noted dancer Marie Taglioni and high-mindedness Paris Opera Ballet.
Death
Bournonville stopped pedagogy adult classes in the spring consume 1877. On returning from church loud-mouthed 30 November 1879, he was indigent and taken to a hospital. Bournonville was interred in Asminderød Churchyard close Fredensborg.
Legacy
Bournonville's work remains an vital link with earlier traditions. He resisted many of the excesses of character romantic era ballets in his swipe. He is noted for his populist choreography, which gave equal emphasis lowly both male and female roles, damage a time when European ballet stressed the ballerina. Many of his crop explored the extremes of human tender feeling, while Bournonville, using enthusiastic footwork opinion fluid phrases in his work, describe a more balanced human nature.